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It's Red Nose Day! Here's our favourite EVER Comic Relief moments

Written By Unknown on Friday, March 15, 2013 | 8:02 AM

March 15, 2013
Comic Relief's funny moments are a rare example of a deal in which everyone wins.

The rich and the famous are presented with a perfect opportunity to make fun of themselves (whilst letting us know they care), audiences at home get to enjoy surreal sights like Tony Blair pretending to be a stroppy teenager, James Corden appraising the England football team or Victoria Beckham's fielding questions about her sex life and most importantly, we're all made to feel jolly enough to be generous and donate. Perfect.

So, ahead of tonight's LOL fest, let's take a trip down memory lane and have a good cackle at some of Comic Relief's most memorable funny bits...


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MIRANDA HART
My Mad March for Comic Relief
Sitting here, as I am, wearing a Union Jack onesie eating luke warm noodles in hotel room on an industrial estate outside Oxford, you'd be forgiven for thinking that I was beginning to finally unravel. But you'd be wrong dear Huffington Post reader, very wrong. For the past three days I've been undertaking The BT Red Nose Challenge: Miranda's Mad March, an idea dreamed up at the Comic Relief Challenge Unit, a high security facility buried deep in a Cumbrian hillside. Continue reading...
ANDREA MANN
You Know You're Over 40 When... The First Comic Relief Single Rocked Your World
In 1985, Comic Relief was born. The beautiful, bouncing child of Richard Curtis and Lenny Henry, it came into the world kicking and screaming... and in 1988, it started wearing a red nose. And between these two events - the launch of the charity and its first Red Nose Day in February 1988 - came the release of the very first Comic Relief single, in 1986. Continue reading...
FRANCES RUFFELLE
You Can't Have an Orgasm Every Time You Walk on Stage
You can't have an orgasm every time you walk on stage. This line from the script is sitting with me. I think Piaf did give the audience everything every time she walked onto the stage. To play her and to be in the character I must do the same. Continue reading...
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JOHN PARISH
Music, Image and Nostalgia
What I love about good film music is the use of silence and space. The medium allows for that. When you're writing to accompany an image you can stretch a piece in ways that wouldn't work in stand alone music; maybe leaving gaps of twenty or thirty seconds between phrases, using background sounds, or bits of dialogue as connectors. Continue reading...
THOMAS PATRICK
Review: The Paperboy (2012)
Watching The Paperboy feels a lot like swimming in the swamps of Florida. It's hot, sweaty, filthy and oddly enjoyable. Continue reading...
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